Carey Perloff


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"As You Like It"

by William Shakespeare

Santa Cruz Shakespeare

July 13 - September 1, 2024

https://santacruzshakespeare.org/season-2024/


CAREY PERLOFF PRESENTS



TINY THEATRICALS:

A DIGITAL THEATER PLATFORM

An intimate look inside the rehearsal process

via a new online platform featuring acclaimed actors


The first five-part episode

"Rehearsing Greek tragedy

for the contemporary stage"

is available now


Click HERE for info




MARIN THEATRE COMPANY TO LAUNCH

CENTURY-OLD MASTERPIECE


Marin Theatre Company will launch 2025 with a fresh take on a rarely seen century-old political play, Waste (February 6 – March 2, 2025). This compelling work was written in 1906 by Harley Granville-Barker, an English actor, director, playwright, and critic, who came to fame performing and then directing the early works of George Bernard Shaw, eventually authoring The Voysey Inheritance, considered a masterpiece of the Edwardian stage. That highly regarded hit was followed by  Waste, which was banned due to its shocking topic of abortion and politics, finally staged for the first time in 1927. In Waste, an ambitious politician’s career is wrecked over his illicit affair with a woman, who has died after a botched abortion. Rather than showing sympathy or outrage for the female victim, the work cynically focuses on the politician and his colleagues, who scramble to salvage his reputation.  In a recent U.K. revival, British Theatre lauded Waste for its “crackling dialogue” calling it “Extraordinary. By some distance the best production to grace a National Theatre stage since Rufus Norris took the reins.” Director, playwright, producer, author, and educator Carey Perloff, artistic director emerita of American Conservatory Theater in San Francisco, is set to direct, and Marin Theatre Artistic Director Lance Gardner will return to the stage as the politician under fire.  

ABOUT TINY THEATRICALS

A series of exciting digital episodes reveals how actors and directors collaborate, focusing on the wide range of psychological and physical choices actors make moment-to-moment during rehearsal, and how those choices inform a wider understanding of theater and its many components.

Nike Imoru, Jason Butler Harner Mike Ryan, and Carey Perloff with cinematographer Adam Elder



CURRENT & UPCOMING WORK


DIRECTING/ ARTISTIC ADVISING



AS YOU LIKE IT

Santa Cruz Shakespeare

July 13 - September 1, 2024

https://santacruzshakespeare.org/season-2024

CHOSIN

A new movement-theater piece

by John Carrafa

The Ground Floor

Berkeley Rep

July 2024

Creative Consultant/Dramaturg



LEOPOLDSTADT

The Huntington Theater

Boston

Sept 12 - October 13, 2024

LEOPOLDSTADT

Shakespeare Theatre Company

Washington, DC

November 30 - December 29, 2024


WASTE

Marin Theatre Company

Mill Valley, CA

February 6 - March 2, 2025

TINY THEATRICALS

“Rehearsing Greek Tragedy

for the Contemporary Stage”

In collaboration with 

John Douglas Thompson and Nike Imoru

A Five-Part Digital Series

Debuted on Digital Theatre Plus March 2023

http://www.careyperloff.com/tiny-theatricals.html

JEKYLL & HYDE

Finland Ballet

Artistic Consultant and Dramaturg

Colorado Ballet

February 2-11, 2024

https://coloradoballet.org


THE LEHMAN TRILOGY

First US Production

Written by Stefano Massini

Adapted into English by Ben Power

Huntington Theatre

Boston

June 13 - July 16, 2023

LINK TO ARTICLE



WRITING



VIENNA, VIENNA, VIENNA

Finalist, 2023 Jewish Plays Project

LINK FOR INFO

Resident Artist

The Ground Floor, Berkeley Rep

August 2023

www.berkeleyrep.org/the-ground-floor


EDGARDO OR WHITE FIRE

Commissioned by Williamstown Theatre Festival

Finalist, O'Neill Playwrights Conference 2022

Workshop at Writers Theater Chicago

March 2024

Directed by Shana Cooper  

Workshop at the Kiln

People’s Light Theater Company

Philadelphia

April 14-15, 2023

Directed by Yury Urnov

https://www.peopleslight.org/whats-on/the-kiln/

PINTER AND STOPPARD: A DIRECTOR'S VIEW

Bloomsbury Methuen Press

LINK HERE TO ORDER



DIRECTOR COMMISSIONS



Developing a new concept for

THE OEDIPUS PLAYS

in collaboration with

John Douglas Thompson

Seattle Repertory Theater, 2021-2024

www.seattlerep.org


IN DEVELOPMENT


HOME?

A New One-Woman Play

by Hend Ayoub

Workshop Production with

Voices Festival Productions,

Washington D.C.

November 3-13, 2022

LINK HERE


THE TRIAL OF WILLIAM SHAKESPEARE

by Alex Poch-Goldin

Workshop at

Bard on the Beach

Vancouver, BC

September 21-25, 2022

LINK HERE

TEACHING


COLUMBIA UNIVERSITY

GRADUATE DIRECTING PROGRAM

"Staging Beckett and Pinter"

January 22 - March 1, 2024

CHECK HERE OFTEN FOR UPDATES

“I like to say that it was Harold Pinter who first got me into the theater

and Tom Stoppard who kept me there...”



– Carey Perloff


From The New Yorker...


The October 6 review in The New Yorker of Tom Stoppard's play Leopoldstadt cites Carey Perloff's new book Pinter and Stoppard: A Director's View

"Stoppard’s frequent collaborator Carey Perloff recently published “Pinter and Stoppard: A Director’s View,” and she spends a chapter discussing his not quite forgotten, always sort of known Jewishness, the way it emerged in past work as stories about doubles and twins, or heritage that is torn down and lost. Her book helped me think about where Stoppard’s experience surfaces in Hermann, a man who both knows and does not know his true situation, a man who thinks he has won the coin toss while the coin is still in the air."



Excerpt from the John Stokes' TLS Review:

"Directing, as Perloff conceives of it, “is an iterative process in which a script slowly reveals itself on stage through rigorous examination and the freedom to play and fail until solutions are reached which feel true to the spirit of the text”. The question is therefore: “How does a director uncover the laws governing the unique and mysterious world of a given play?” These “laws” or “rules of play” are the operating principles within a work that will allow it to generate a theatrical event; they are discovered in rehearsal and realized in performance. They are not universal and they shift with the shifting times, sometimes fundamentally. Stoppard, for instance, has said of Pinter that “he changed the ground rules” so you could no longer necessarily believe what a character might say, even on the most mundane level...."

Read full review HERE

Read full article HERE


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AS YOU LIKE IT Photography by Shmuel Thaler

“How Jewish were we?” wondered celebrated British playwright Tom Stoppard to his cousin Sarka about their family’s Czechoslovakian roots. In his mid-50s, Stoppard and his mother, Martha, were meeting their relative for the first time, over lunch, while he was in rehearsals for his play “Arcadia” at the National Theatre in 1993.

Stunned by Stoppard’s question and ignorance of his identity, Sarka was incredulous. “You are completely Jewish,” she replied. As his cousin drew up an impromptu family tree on a piece of paper, Stoppard was gobsmacked to learn that his maternal and paternal grandparents were Jewish, and that all of them, along with three of his mother’s sisters and other family members, had perished in the Holocaust. “It was a little embarrassing, even shameful,” Stoppard wrote in a 1999 essay for Talk magazine.

Director Carey Perloff relates this story to the cast of the Huntington Theatre’s upcoming production of Stoppard’s masterwork “Leopoldstadt” on the first day of rehearsals. The revelation, she says, shook this most cerebral of British playwrights, and he embarked on a reckoning with his Jewish roots. “What does it mean for someone to reclaim their family?” Perloff says to the cast.

The discovery spurred Stoppard, more than two decades later, to pen the deeply personal “Leopoldstadt” and excavate this long chapter of his family history, refracting it through an altered lens. The drama went on to win four 2023 Tony Awards, including best play, and is being staged by the Huntington from Sept. 12-Oct. 13, in the first American production after its Broadway bow.

Leopoldstadt,  The Huntington Theatre, Photo by Liza Voll


Leopoldstadt, Holden King-Farbstein, Joshua Chessin-Yudin, Quinn Murphy

Firdous Bamji; Photo by Liza Voll

–– Jewish Rhode Island

Read Full Review HERE

Leopoldstadt; Mishka Yarovoy, Nael Nacer, Brenda Meaney; Photo by Liza Voll

Leopoldstadt, Brenda Meany, Samuel Adams, The Huntington Theatre, Photo by Liza Voll


BOSTON PUBLIC RADIO PODCAST PRESENTS

"TomStoppard's Leopoldstadt is on stage now at the Huntington. A Boston Public Radio interview with Director Carey Perloff and actor Rebecca Gibel about the play, about a  Jewish family in Vienna at the rise of the 20th century."

It wasn’t until the early 1990s that the celebrated writer learned that all four of his grandparents had been Jewish and had died while imprisoned in Auschwitz and other concentration camps, along with his three aunts on his mother’s side.

With that awareness, the brilliant wordsmith – an Academy- and multi-Tony-Award winner for plays and movies including “Rosencrantz and Guildenstern Are Dead,” “Travesties,” “Arcadia,” “The Coast of Utopia,” and “Shakespeare in Love” – wrote the sweeping “Leopoldstadt,” a fictionalized account of the family he never knew now being given a heart-rending production by the Huntington, in association with Washington, D.C.’s Shakespeare Theatre Company, at the Huntington Theatre through October 13.